Smoke and mirrors

Smoke haze and a runner

All around me, people act like it’s business as usual. My city is shrouded in smoke. So many people around our region keeping fires at bay. I keep waking up with a crackling throat and a tightness in my chest. And yet the library is all Christmas and the news is all Pravda. I wonder sometimes what planet I’m on.

‘Resilience’ and I are strange bedfellows. On one hand, I am acutely aware of the sheer neoliberal hubris involved in pushing resilience mantras onto people facing structural harm, inter-generational trauma, or planetary apocalypse, as if an inability to cope with those things is simply a personal failing. Coping is a bandaid. Coping doesn’t fix the cause. Coping won’t make it stop.

But at the same time: we can’t build futures we can’t imagine. Many people turn to fiction for inspiration and guidance, particularly speculative fiction and various futurism genres. I’m not much of a fiction reader1, so instead I turn to works of natural history and new nature writing, to know what has come before us, and what might be next. Truth hurts. And yet it comforts me.

stack of natural history books
Some of my current reading list. From top: Walking on lava / Dark Mountain Project — Underland / Robert Macfarlane — Sand talk / Tyson Yunkaporta — Sunburnt country / Joëlle Gergis — Griffith Review #63, Writing the country.

If we yield to panic, we lose that ability to see into the distance, even as that distance is shrouded in ash.

From here, the future looks grim. Despite the desperate need for whole-scale systematic change, I have no faith that those with the power to enact such change will do so. We cannot wait for promised technologies, promised public policy, or a promised saviour to rescue us from this mess. We may not even be able to rescue ourselves. But trying is the only option available to us. And we must try together.

This is essentially the plot of Rebecca Solnit’s Hope in the Dark, a book I’ve turned to a few times this year, and which I should probably purchase instead of hoarding a friend’s copy. I find myself taking a chapter as medicine when it all seems particularly awful. Most things are terrible. But not everything. And in the space between there is room to act.


Because my eyesight is dreadful I own three pairs of glasses, yet I see most things through a library lens. It’s tempting to imagine the library as a microcosm of its broader society: a magical place where we might build better social relations or knowledge arrangements. But the longer I spend in librarianship, the more I see our structural problems replicated beyond the microcosm. We can’t solve them in isolation.

I look outside, I read the news, I hear the anguish of those all around me, I think about what I’m not hearing, and I wonder… why am I even at work? Is it because the air is nicer inside? Is it so I can delude myself that what I do here will matter in the long term? Is it even mattering now? Is it all just so much busywork while we wait for the world to end?

I’m a web archivist. I’m also an environmentalist. I’m probably a hypocrite.

In addition to being hugely carbon-intensive (irrespective of whether or not it’s powered by renewable energy), global computing consumes huge amounts of natural resources, including oil and rare-earth minerals, and produces colossal amounts of waste. Supposedly ‘green’ technology is costing the earth. Absolutely everything about web archiving is unsustainable. I wonder if it could ever become sustainable. I don’t like our chances.

So what do we do next? I know I ended my last blog post with ‘I don’t have the answers’, and despite the professional vexation of remaining answerless, here I am still searching. I’m not a climate scientist or a political ecologist or someone with decades of direct and relevant life experience. Instead here I am, adrift in a sea of reckons.

sticker reading 'no jobs on a dead planet'

The easterly smokewind—the muril bulyaŋgaŋ, as the Ngunnawal might call it—forms a kind of hideous poetry. Where it used to bring cool relief of an evening, the easterly now carries smoke from fires between us and the ocean. I dread the breeze, now. It’s all wrong. It’s not normal. I resent what the climate is doing to us. I grieve for what we have done to the climate.

We all have to face ourselves in the mirror. I wonder who I want to see, what kind of person I hope to become, forged as we all are by our hideous circumstances. What would I see in the mirror of Erised? A perfect catalogue? A temperate forest? A group of friends? Or would I be grateful to see anything beyond a shimmering void?

I am sad, weary, listless, lonely, tired. I see few lights on the horizon, and I’m meant to be one of the lucky ones. I often think about giving up. And then I take stock, and I dream. I dream of building strong, resourceful, resilient communities. I dream of rewilding barren landscapes, following Indigenous caretakers in restoring biodiversity and ecological health. I dream of being able to open my windows in the evening and not be ambushed by smoke haze. I dream of solidarity with each other and the land. I dream of finding answers. I dream of doing the impossible. I dream of not doing this alone.

We are indeed through the looking-glass. But it needn’t be a one-way trip.


  1. This was the primary reason why I opted out of ALIA SNGG’s book secret santa this year. I have very niche reading tastes, am extremely hard to buy for, and also suck at readers’ advisory. 🙃 

The stories we tell ourselves

Sunrise over Lake Burley Griffin, Canberra, with the National Library on the right. Photo courtesy Glenn Martin Photography

Around 10.30pm last night I had a brainwave.

I lay in bed despairing at the election results, where a lot of money had swayed a few votes in a few seats in a manner not to my liking, when I suddenly remembered a book I needed to read. I’d had this book since February (courtesy of Hugh, who had read it in one sitting) but knew it would need to be read in a certain mood. Polemics are better heard, not seen, so I began to read the foreword aloud to myself.

‘Your opponents would love you to believe that it’s hopeless, that you have no power, that there’s no reason to act, that you can’t win. Hope is a gift you don’t have to surrender, a power you don’t have to take away. And though hope can be an act of defiance, defiance isn’t enough reason to hope. But there are good reasons.’

Rebecca Solnit wrote Hope in the Dark fifteen years ago, in part a response to the invasion of Iraq and the despair felt by millions who watched it unfold. The foreword to the third edition was written in 2015 and, to be honest, it shows. Yet it reminded me that one electoral result is not failure, that change is incremental, that we do not know the future for certain, and within that uncertainty there is space for hope.

Hope. Not optimism.

This is not a political blog, much as I have become a political person, and much as my employment brings with it certain restrictions on my political speech. But politics and librarianship go hand in hand. We fiercely defend the freedom to read, the freedom to collect, the freedom to describe, and the freedom of library users to go about their business unbothered by neo-Nazis. These all involve making political choices. We are not neutral spaces. We are not merely vessels for the stories of others—we have a role in amplifying those stories, and for telling stories of our own.

I keep coming back to what David Ritter said at GLAMSLAM, the recent one-day symposium for GLAM workers hosted by the Australian Centre for Public History. GLAMSLAM itself was a bit of a mixed bag for reasons that aren’t relevant right now, but I’m still glad I attended. I wrote a lot of notes during David’s keynote, titled ‘GLAM Power as clean energy? Bring it on!’. Reading over my scribbles, I can’t always tell where the speaker’s thoughts ended and mine began. But one paragraph stands out to me.

Yes! We can do the thing against the odds! // Convince people that human ingenuity can get us out of this mess. [Even if] it won’t get us out. It’s a future we won’t see. And perhaps, since we are the problem, we deserve to go. But he will never say that—we need to tell ourselves that humans can make change.
ANOTHER WORLD IS POSSIBLE

It was a rousing and inspiring speech, though my notes are peppered by a well-developed streak of misanthropic nihilism. David knew what story we needed to hear, and told it to a roomful of librarians and cultural heritage workers so that we might repeat the message. This is how we can use our GLAM Power™: by telling the stories that will drive the transition to a more just and liveable planet. To build a better future, we first need the ability to imagine it. (You can listen to David’s keynote on the GLAMcity podcast.)

David Ritter wasn’t the first person at GLAMSLAM to make the connection between libraries and public narrative. The New GLAM-er fringe event the day before included a speaker from a NSW regional public library (whose name I sadly neglected to write down), who came to librarianship with a PR degree. She emphasised the role of the library as a natural home for storytelling, but with facts to back those stories up. I can’t imagine ever working in public relations. I wouldn’t be able to tell a story I didn’t believe.

I often think about the stories we tell ourselves. But today I wonder about the stories we’re clearly not listening to, the stories going unheard. Libraries enthralled so many of us as children. Magical places of safety and story. These memories inspired many of us, me included, to pursue careers as library workers, to become story curators. But who is telling the stories we collect? Whose narratives go unrecorded? What relation do these stories bear to others’? To our environment? To our history? To others’ histories? What stories help us make sense of our lives? What choices do our stories prompt us to make? What do we tell ourselves so that we can sleep at night?

Not all stories are hopeful. Some are actively harmful, told in bad faith, designed to mislead, deceive or frighten. I hope that we all might one day reconcile our stories with the abundant evidence available to us, weaving a stronger and more truthful set of inclusive narratives that lead us toward a better future. I hear librarians are quite good at that.

I find solace in nature and nature writing, grounding me in every sense. Last week I picked up the newest Griffith Review, Writing the country, which I’ve looked forward to for some time. David Ritter has an essay in it, ‘We all took a stand’, telling a remarkable, Solnit-esque story about how in 2010 the locals of Margaret River, Western Australia, took on the coal prospectors and won. We both marvelled at how this story isn’t more widely known. ‘As a movement it is so important that we narrate and remember every success. There is power in our stories if we choose to tell them.’

Hugh is notorious for annotating his books, so I took this as permission to read Hope in the Dark with a pencil in my hand. The book felt like an emergency bandage for an open wound, holding in all my emotions to stop them from falling out. Many passages were already underlined, asterisked, or pencilled in the margins. I’m not sure how long I can staunch this flow; at some point I will mourn the future it clearly wasn’t time for. But one sentence neatly encapsulated my current goal. I underlined it, with a sharper pencil.

The hope I’m interested in is about broad perspectives with specific possibilities, ones that invite or demand that we act.

Or, as David himself tweeted earlier today, in an eloquent and uplifting thread I saw just a moment ago:

Great change is non-linear. History is unpredictable. Elections come and elections go but we must retain belief in what is possible and execute our best plans to make it so.